Much of Christina Rossetti’s poetry has a very depressing and rather :: English Literature

Much of Christina Rossettis poetry has a real depressing and sooner dismal tone, which can be sometimes utilize to infer the carriage in which she viewed life and times, which she was living in. However, despite this sombre theme throughout her poetry it can ...Much of Christina Rossettis poetry has a very depressing and rathersombre tone, which can be sometimes used to infer the government agency in which sheviewed life and times, which she was living in. However, despite thissombre theme throughout her poetry it can be argued that it was not further her life that influenced her poetry but in like manner the time in whichshewas living. numerous historians have suggested that the era in whichRossetti lived was a rather bad time, the fleck half of thenineteenth century was a rather strange design and the Pre-RaphaeliteMovement made quite an fraudistic group.The Pre-Raphaelites, being young, talented, and having umteen ideas oftheir witness, felt stifled by the rigidity of the Royal Academys idea ofwhat tasteful, comely art should be. The PRB held the haughtybelief that the only true great art came from before the 16th centuryItalian painter, Raphael (hence the societys name). Raphaelrepresented high renaissance, a time when painters, instead of lettingtheir subjects dictate their qualities to the artist, would manipulatethe subject into their own ideal of beauty. Thus, all realism waslost. The PRB, with full spirit, denounced this art of idealization,and led the way to produce works based on real landscapes and realmodels, and paying(a) intense attention to accuracy of detail and colorWilliam Holman Hunt, D.G. Rossetti, John Everett Millais, WilliamMichael Rossetti, throng Collinson, Thomas Woolner and F.G. Stephensfounded the Pre-Raphaelite Brotherhood (PRB) in 1849. In some shipway itwas an impulsive venture, the PRB aimed to produce works that wereinnovative in style and substance, and expressive of direct, sincerefeeling. And behind this lay t he persistent ambition to be observeand make a name. As well as painting, they were also committed tothe literary arts, and nearly all the PRBs wrote poetry. Thesepainters had a specific agenda. rather of painting the typicalstill-lifes, landscapes and seascapes, they drew their subject mattersfrom medieval tales, bible stories, chaste mythology, and nature.Using bright colors on a white background, the artists were competent toachieve great depth and brilliance.Although some of ChristinaRossettis earliest versese were create in The Germ, a magazineproduced for a short time by the Pre-Raphaelites, and she sat as amodel for several of Dante Gabriel Rossettis paintings, she was not